Currently, these limits are very low and have not been looked at in the light of rising Cost of Living Index over the years. Other avenues for providing relief to a salaried taxpayer could be a deduction for the payment of life insurance premiums for dependent parents, the enhancement of specified investment limits (for availing deductions) such as life insurance premiums, provident funds, etc. Interestingly, a global personal taxation comparison survey undertaken by Mercer in 2007 identifies India as the least favorable economy in Asia with respect to personal tax rates.

Over the years, the income tax slabs have been modified, but on each occasion, the impact has been minimal, since realignment, either has been negligible or has been accompanied by removal of other tax deductions. Hopefully, Budget 2008 will address this issue. Like salaried taxpayers, Corporates have their ‘wish list’ of expectations from the Budget. India’s corporate tax base rate is currently pegged at 30 percent, at par with the Asia Pacific average.

However, surcharge, cess, Dividend Distribution Tax and Fringe Benefit Tax (FBT) actually raises the tax rate above the Asia Pac average. India appears well on course for matching or even beating its federal fiscal deficit target for this financial year and pushing for an even smaller shortfall next year — thanks to the country’s rapid economic growth.

Finance Minister Palaniappan Chidambaram delivers his annual budget on Feb. 29, the last full one of this administration. Analysts expect him to say he bettered a goal of cutting the federal deficit to 3.3 percent of GDP for the year to March 31 from 3.7 percent a year earlier.

However, this year’s target, enshrined in a four-year-old fiscal responsibility drive, excludes the deficits of state governments. If they were included, the overall shortfall would be more like 6.0 percent of GDP, economists estimate. It also ignores off-balance sheet items, such as oil bonds issued in lieu of raising government-set fuel prices to match global trends. With world oil prices rallying strongly and hitting records just this week, the government may have to issue more bonds in coming quarters.

The main problem of the Finance Minister is the low revenue, which have been decelerating the customs revenue growth. Moreover, the excise revenue also gets low. Therefore, while making the budget the Finance Minister will obviously be focusing on better mobilization of earnings through direct and service taxes.

Nasscom addresses five issues in its pre-budget memorandum. Nasscom suggests the government to:

(1) Continue the Software Technology Park of India scheme up to 2010,

(2) Liberalize the eligibility criteria for the scheme of Large Tax Payer Unit. According to the current benchmark, those companies will be eligible only who pay an amount of 10 crores or more as advance tax.

(3) Inculcate some relevant provisions in the domestic laws so that an efficient mechanism or process for full tax credit can be provided.

(4) Start a mechanism for the Advance Pricing Agreements on the issues like, transfer pricing to ensure high tax certainty.

(5) Refund the service tax paid by the companies on the services used for exporting BPO applications and computer software

Article Source: http://EzineArticles.com/?expert=Tamal_Roy

More info about Accounting software pac:

Trintech Reports Fourth Quarter and Fiscal Year 2010 Financial Results and an … – MarketWatch (press release)

Trintech Reports Fourth Quarter and Fiscal Year 2010 Financial Results and an … MarketWatch (press release) Trintech announced that PAC Worldwide had selected its AssureNET ASP software for financial process compliance. AssureNET ASP is a hosted component of … and more »

Travel Pac RV Software for RV Owners.

Travel Pac RV software for RV owners has become the number one selling software designed with them in mind and don’t forget Home Port Software, your home management …

Trintech Reports Fourth Quarter and Fiscal Year 2010 Financial Results … – pressreleasepoint.com

Trintech Group Plc (NASDAQ: TTPA) today announced revenues of $7.9 million for the fourth quarter ended January 31, 2010, an adjusted EBITDA net income of $1.4 million and net income for the quarter of $910,000 from continuing operations. For the …

IMPLEMENT – QnE, ACCPAC, Quickbooks, PEACHTREE, SURE …

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As of February 2009, the online rankings and rating system Complete.com ranked January numbers for 25 different social networking sites and this time Facebook beat out MySpace for the number one spot with the new contender Twitter coming in at the number three position.

This could quite possibly be the very first assessment seen in the United States that places Facebook in front of MySpace. News Corp. is the owner of MySpace which only received 58 million visitors in January where Facebook received 68 million visitors with Facebook having 1.1 billion pages viewed and MySpace having only 810 million unique pages viewed.

Back in April of 2008 Facebook and MySpace were tied for the number one spot but it didn’t last long as MySpace regained its number one spot once again.

According to complete.com these numbers are completely from Web browser statistics in the United States only. This means it does not include any global statistics where most of Facebook’s users are located (Internationally) now or any data from intermediary applications or widgets which are mainly how many devoted Twitter users contact their service. This could mean that Twitter’s numbers are much higher than indicated.

Twitter on the other hand sends most of its traffic to MySpace, Google, TwitPic, and Facebook according to the latest data from Hitwise. This new social networking site sends approximately one out of every five users to entertainment sites such as YouTube, Flickr or TwitPic. There are some people who think Twitter is simply a “poor man’s e-mail system” however Twitters clickstream sketch is different than most e-mail services.

The Society for New Communications Research published a report in August of 2008 titled “New Media, New Influences and Implications for Public Relations” which provided several case studies illustrating how social networking has benefited various organizations such as the Mayo Clinic, the Red Cross and Quicken loans among many others. Their findings showed that 57% of this group of early social media adapters gave testimony that the social media tools are becoming more important for their many activities and that 27% reported that social media is now their core component for messaging strategies.

Below is another breakdown of the top five social networks number of users according to Wikipedia.

Site Number of users

Myspace >253,000,000

Facebook >175,000,000

Friendster >90,000,000

Orkut >67,000,000

LinkedIn >35,000,000

(data from Wikipedia)

There are many statistics available regarding why people use social networking sites. For example 75% of people say they use a social networking site to keep in touch with friends and family while 62% say they are just being “nosy” and 55% of people surveyed say they want to express their opinions and views. Meeting people with similar views, interests and opinions makeup 49% of social network users, 13% of social network users want to document a specific occasions such as a wedding or a trip and 7% feel that social networking is a good place to meet a new mate or use it as a dating service.

James Hallatt is a ‘Internet Marketing Entrepreneur’ and business opportunity developer. Based in the United Kingdom he provides honest and relevant resources for making money through the internet. For information on his primary business please visit his http://www.cyberspace-business.com website. Article Source: http://EzineArticles.com/?expert=James_Hallatt

More info about Twitter search statistics:

http://twirus.com/

Saffron Technology Launches Saffron Natural Intelligence Platform Version 8.0 – PR Newswire (press release)

Saffron Technology Launches Saffron Natural Intelligence Platform Version 8.0 PR Newswire (press release) Or visit www.tweetdive.com to see how SaffronMemoryBase reveals informative data connections and associations, using the world of Twitter as a data source. … and more »

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Can Your iPhone Tell You Which House to Buy? (at The … – Wall Street Journal

â??I donâ??t think itâ??s driving revenue for us but itâ??s making customers happier,â? says Glenn Kelman, chief executive of Seattle-based Redfin. The Coldwell Banker app, available for both iPhones and Android models, so far has listings of houses …

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Small Bites Mountain Xpress And search the hashtag #avleat for even more. Here’s some of the news and views that surfaced on Twitter this week: â?¢ Trying to get another beer festival …

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As of February 2009, the online rankings and rating system Complete.com ranked January numbers for 25 different social networking sites and this time Facebook beat out MySpace for the number one spot with the new contender Twitter coming in at the number three position.

This could quite possibly be the very first assessment seen in the United States that places Facebook in front of MySpace. News Corp. is the owner of MySpace which only received 58 million visitors in January where Facebook received 68 million visitors with Facebook having 1.1 billion pages viewed and MySpace having only 810 million unique pages viewed.

Back in April of 2008 Facebook and MySpace were tied for the number one spot but it didn’t last long as MySpace regained its number one spot once again.

According to complete.com these numbers are completely from Web browser statistics in the United States only. This means it does not include any global statistics where most of Facebook’s users are located (Internationally) now or any data from intermediary applications or widgets which are mainly how many devoted Twitter users contact their service. This could mean that Twitter’s numbers are much higher than indicated.

Twitter on the other hand sends most of its traffic to MySpace, Google, TwitPic, and Facebook according to the latest data from Hitwise. This new social networking site sends approximately one out of every five users to entertainment sites such as YouTube, Flickr or TwitPic. There are some people who think Twitter is simply a “poor man’s e-mail system” however Twitters clickstream sketch is different than most e-mail services.

The Society for New Communications Research published a report in August of 2008 titled “New Media, New Influences and Implications for Public Relations” which provided several case studies illustrating how social networking has benefited various organizations such as the Mayo Clinic, the Red Cross and Quicken loans among many others. Their findings showed that 57% of this group of early social media adapters gave testimony that the social media tools are becoming more important for their many activities and that 27% reported that social media is now their core component for messaging strategies.

Below is another breakdown of the top five social networks number of users according to Wikipedia.

Site Number of users

Myspace >253,000,000

Facebook >175,000,000

Friendster >90,000,000

Orkut >67,000,000

LinkedIn >35,000,000

(data from Wikipedia)

There are many statistics available regarding why people use social networking sites. For example 75% of people say they use a social networking site to keep in touch with friends and family while 62% say they are just being “nosy” and 55% of people surveyed say they want to express their opinions and views. Meeting people with similar views, interests and opinions makeup 49% of social network users, 13% of social network users want to document a specific occasions such as a wedding or a trip and 7% feel that social networking is a good place to meet a new mate or use it as a dating service.

James Hallatt is a ‘Internet Marketing Entrepreneur’ and business opportunity developer. Based in the United Kingdom he provides honest and relevant resources for making money through the internet. For information on his primary business please visit his http://www.cyberspace-business.com website. Article Source: http://EzineArticles.com/?expert=James_Hallatt

More info about Twitter search statistics:

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Twitter Tricks For Generating Back-links | Creating Wealth Online

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Pulse Follow us on Twitter Get Satisfaction, which offers web-based community support tools, this week became the recipient of a couple of influential integrations. While not official endorsements per se, both Facebook and Google …

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Tell HER2 – Vancouver Sun

When Lise Paquet got the news, she was shocked. She didn’t have a family history of cancer, and she didn’t feel sick. But four years ago, the Ottawa statistics professor was told she had HER2-positive, an aggressive form of breast cancer. HER2 is …

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Why You Should Take Conan O’Brien’s Twittering Seriously. Conan O’Brien’s Twitter feed, as lighthearted as it is, could hold the key to a successful comeback strategy for the departed Tonight Show host. Your Money Danger: 3 Debit Card Scams to Avoid · Danger: 3 Debit Card Scams to Avoid. Crooks are coming up with clever ways to steal money from debit card customers. Here’s how to protect yourself. BNET. All Bnet; Articles; Library; Stocks; Dictionary. Search …

http://twirus.com/

TweetVolume : Home

This post was mainly about Twitter search statistics, you are welcomed to comment here about Twitter search statistics.

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As of February 2009, the online rankings and rating system Complete.com ranked January numbers for 25 different social networking sites and this time Facebook beat out MySpace for the number one spot with the new contender Twitter coming in at the number three position.

This could quite possibly be the very first assessment seen in the United States that places Facebook in front of MySpace. News Corp. is the owner of MySpace which only received 58 million visitors in January where Facebook received 68 million visitors with Facebook having 1.1 billion pages viewed and MySpace having only 810 million unique pages viewed.

Back in April of 2008 Facebook and MySpace were tied for the number one spot but it didn’t last long as MySpace regained its number one spot once again.

According to complete.com these numbers are completely from Web browser statistics in the United States only. This means it does not include any global statistics where most of Facebook’s users are located (Internationally) now or any data from intermediary applications or widgets which are mainly how many devoted Twitter users contact their service. This could mean that Twitter’s numbers are much higher than indicated.

Twitter on the other hand sends most of its traffic to MySpace, Google, TwitPic, and Facebook according to the latest data from Hitwise. This new social networking site sends approximately one out of every five users to entertainment sites such as YouTube, Flickr or TwitPic. There are some people who think Twitter is simply a “poor man’s e-mail system” however Twitters clickstream sketch is different than most e-mail services.

The Society for New Communications Research published a report in August of 2008 titled “New Media, New Influences and Implications for Public Relations” which provided several case studies illustrating how social networking has benefited various organizations such as the Mayo Clinic, the Red Cross and Quicken loans among many others. Their findings showed that 57% of this group of early social media adapters gave testimony that the social media tools are becoming more important for their many activities and that 27% reported that social media is now their core component for messaging strategies.

Below is another breakdown of the top five social networks number of users according to Wikipedia.

Site Number of users

Myspace >253,000,000

Facebook >175,000,000

Friendster >90,000,000

Orkut >67,000,000

LinkedIn >35,000,000

(data from Wikipedia)

There are many statistics available regarding why people use social networking sites. For example 75% of people say they use a social networking site to keep in touch with friends and family while 62% say they are just being “nosy” and 55% of people surveyed say they want to express their opinions and views. Meeting people with similar views, interests and opinions makeup 49% of social network users, 13% of social network users want to document a specific occasions such as a wedding or a trip and 7% feel that social networking is a good place to meet a new mate or use it as a dating service.

James Hallatt is a ‘Internet Marketing Entrepreneur’ and business opportunity developer. Based in the United Kingdom he provides honest and relevant resources for making money through the internet. For information on his primary business please visit his http://www.cyberspace-business.com website. Article Source: http://EzineArticles.com/?expert=James_Hallatt

More info about Twitter search statistics:

twitter.com – Site Info from Alexa

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Ubervu offers a range of useful social media statistics for free with more detailed analysis available from just $29 a month. In addition, Ubervu’s Compare offers a free, easy to use and straight forward analysis of what people on social networks …

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Itâ??s clear that more and more companies are getting the green light from their leadership teams to get started in social media. Thatâ??s rightâ?¦youâ??ve fought long and hard and patiently explained the rationale. Youâ??ve shown examples (including a bunch from the Pharma and Healthcare Social Media Wiki) a …

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myHMIC RT @mike_rawlins: Oh lookey here a new website supporting the @mypolice #hmicfiasco http://myhmic.org/ please RT & Support #NDI10 (tags: ndi10 via:packrati.us hmicfiasco) Justin Lilly RT @frabcus: Remember that your Google account can be suspended http://bit.ly/9TqaeA (tags: via:packrati.us) …

Twaitter – Twitter Business and Marketing Tools – twAitter.com

Statistics. Use TwAitter to search Twitter to see what is being said in real-time about … View statistics on how often your brand is mentioned over specified …

Is Twitter Noise or an Effective Business Tool?

Recently this question appeared in a LinkedIn discussion group. It received lots of attention and many interesting comments. The majority of people saw Twitter as a business tool. A few said itâ??s just noise, but those people did not elaborate. In other words they said something like, â??noise,â? and no …

Twitter Tricks For Generating Back-links | Creating Wealth Online

According to some statistics, 80% of tweeters don’t provide an URL in their bio! Well, maybe these people are not SEO experts/Internet marketers and they don’t need this traffic but you as a SEO expert can’t afford to miss it. … That is why you can use the search functions on Twitter and find people with similar interests. Find as many as you can and invite the mall. These people might not be as loyal as your friends, coworkers, and acquaintances but still you will get …

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After you’ve mastered standing up on the board and coping with speed changes and different slopes the first question is can I do more? Sure the feeling of being free is like no other but you need to step it up a little. That’s where the ollie steps in. The ollie is the basis of a lot of other tricks and opens up many avenues for your skating.

The ollie was invented by Alan “Ollie” Gelfand in 1978. It uses the bounce force from throwing something against the floor to stick the board to your feet. As you’re riding crouch down with one foot on the tail and one foot in the middle of the board. As you approach an obstacle slam your tail foot to the floor and lift the other foot up to your knee and jump at the same time. As you jump lift your tail foot up to clear the obstacle and push your front foot forward to level the board off. The board should follow you up with the bounce from slamming it against the floor. Make sure you remain central and stable over the board as you land to avoid your feet landing to one side of the board, and crouch down as you land to soak up the landing and prevent damage to your ankles, knees, or board.

It’s difficult to get everything to run together at the right time. It’s natural for you to panic as you do gain some height and walk off the board as you jump or disrupt the sequence because it feels strange landing onto a board with wheels. This is why new tricks are often performed into something soft, and if you can ollie onto something soft there’s a good potential to be able to learn the trick faster.

It’s also advisable to start out not moving when you learn the basics. Take it in stages, see if you can get part of the move working first and then move onto the next part and fit it all together. Learning with friends can be great to push each other to do better especially if you don’t mind laughing when you fall off.

Where to go from here:

Once you’ve mastered the ollie it’s worth enjoying it and playing with it to get used to doing them on different slopes as it can make a huge difference. The next natural progression is to turn 180 degrees as you jump, and then to move onto the kickflip.

A lot of people probably want to learn to skate thanks to Tony Hawk’s video games, so it’s always a good idea to remember that most of those combos either can’t physically be done or are ridiculously hard. Watch an amateur skate video to see what you could reasonably accomplish if you stick at it and work hard.

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Step 7: Trace 1/4 border and cut

iriskh posted a photo:

Create a small border around the design, remove from embroidery hoop, and then cut along created line.

Design blatantly stolen from etsy/spinthread’s peacock fan no 2.

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How To Harden PHP5 With Suhosin On CentOS 5.4 This tutorial shows how to harden PHP5 with Suhosin on a CentOS 5.4 server. From the Suhosin project page:

Step 11: Attach chain

iriskh posted a photo:

With some wire clippers, cut 2 pieces of chain to make the necklace of desired length. Attach chain pieces to opened jump rings. Close jump rings with pliers.

Design blatantly stolen from etsy/spinthread’s peacock fan no 2.

Step 12: Attach clasp

iriskh posted a photo:

Using a jump ring, attach a clasp to one of the chain-ends. To the other chain-end, attach another jump ring.

Design blatantly stolen from etsy/spinthread’s peacock fan no 2.

Find Top Internet Searches In Your Niche with Google Insights

How to Compost.org

From beginners to experts this web site is designed to provide composting information and links to other people involved in all forms of composting. …

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Smartphone users who think they won’t have many apps available to them on the Droid phone will be happy to know that Google’s Android Market offers just over 16,000 different apps for users to enjoy. Android market is, in many respects, just like Apple’s iPhone Apps Store. It is an international marketplace where people can login and purchase all kinds of apps, from the fun to the practical and useful. The Android Market application comes pre-installed on all Droid phones, so users can take advantage of apps right away. More and more people are looking to increase the flexibility of their smartphones, and apps like the ones featured on Android Market allow them to take the power of their desktop and laptop computers out of the office and into the real world.

The process of developing and marketing an Android application online is really no different from what iPhone developers do. An Android developer would first try to find a niche that a new Android application could fill, develop the application, and then sell it. There may be well over 16,000 apps on Android Market, but even though this is so, there is always room for innovation. New Android entrepreneurs become successful every day with well crafted, strategized, and marketed applications. When a new app enters the Android Market, it can grow very quickly into a passive source of revenue for its creator. In layman’s terms, this means you get to play golf much more often.

There are other venues for selling Droid phone applications, but none of them are nearly as well-recognized or sought after as Android Market. One might want to make the comparison between Ebay and every other auction site. Because Ebay started off popular and has the most aggressive marketing plan, nobody even comes close to touching it.

If you have an idea for an Android application, Appiction’s team of strategists and marketing specialists will take all of the right steps to ensure its success on Android Market. We have been in this business for years and were there when Android Market first opened its doors to developers looking to sell their innovations. We know which combination of application strategy, development, and marketing will be the most profitable on Android Market with the lowest possible cost. The smartphone world is going through a revolution that will make all of our lives more fun and easy. Appiction is here to help you to profit from it.

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Aesop’s Fables have been classic tales for hundred’s of years. How many of us remember sitting and watching Disney’s cartoon version created in 1934. The Harvard Classics, printed from 1909-1914, put Aesop’s fable this way:

In a field one summer’s day a Grasshopper was hopping about, chirping and singing to its heart’s content. An Ant passed by; bearing along with great toil an ear of corn he was taking to the nest.

“Why not come and chat with me,” said the Grasshopper, “instead of toiling and moiling in that way?”

“I am helping to lay up food for the winter,” said the Ant, “and recommend you to do the same.”

“Why bother about winter?” said the Grasshopper; “we have got plenty of food at present.” But the Ant went on its way and continued its toil. When the winter came the Grasshopper had no food, and found itself dying of hunger, while it saw the ants distributing every day corn and grain from the stores they had collected in the summer. Then the Grasshopper knew: “IT IS BEST TO PREPARE FOR THE DAYS OF NECESSITY.”

This simple little story carries with it a lot of wisdom. The idea of thrift being the foundation of a community is a good one. We have lost that attribute over the years and have replaced it with the negative attribute of consumerism that the grasshopper practiced acting like there would be no tomorrow.

Aesop wrote simple stories for simpler times. I think the fable needs to be updated to fit with where our society is now. I offer the following:

The Ant works very hard all summer long putting up his stores. He has gotten TIF money and government subsidies to build a very lucrative and large corporation. His Board of Directors has given him a very high salary and stock benefits package and while he paid his workers (the grasshoppers) the least he could get away with. His fellow businessmen and Board members grew fat on the profits the Ant’s company generated.

Winter comes and the Grasshoppers are now paying high heating costs, higher taxes due to cuts that benefited the rich, and higher mortgage payments because some slick banker looking for a bonus talked them into an ARM. The Grasshoppers take it in stride and hope for spring and warmer weather. Instead the Ant, in order to maximize his profits, laid off half of the Grasshoppers to maintain his large salary and perks. So the Grasshoppers started their own businesses with what little nest eggs they were able to put together and started competing with the Ant and his business friends.

In a short time the Grasshoppers started taking the Ant’s business away. They were leaner and meaner and able to respond to their customers needs faster. They provided outstanding customer service and a higher quality product because they cared about the customer and their product or service, not just the bottom line. They also networked with one another and traded work among themselves. They built a business community on service, quality, and efficiency. They paid themselves well but not too much and invested the rest of their profits in expanding their businesses and putting others to work that the Ant had laid off.

Eventually the Ant saw his empire crumble, his house was foreclosed on and his yacht repossessed. Around him sprang up a new community of hardworking, self-reliant interdependent, networking, neighbor helping progressive Grasshoppers who neither voted straight right or left but for who was the best for the job. As they prospered all boats rose in the harbor. They bought from their fellow Grasshoppers and patronized local businesses. They made their products here instead of overseas.

The Grasshoppers even offered the Ant a job so he didn’t have to go hungry. Every one ate, sang, and was happy.

I like the new fable. It has hope and I feel very strongly is the way we will create a strong and lasting economy.

Michael Irvin is a Creative Project Manager residing in Overland Park, KS a suburb of Kansas City, MO. Michael draws on years of experience in the advertising and marketing field. He’s an superb graphic designer and illustrator. He can be reached by email at: mirvin1129@yahoo.com. Article Source: http://EzineArticles.com/?expert=Michael_Irvin

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What do Batgirl, L.E.G.I.O.N., Superman, Batman, Azrael, JLA, Barry Allen and Hal Jordan, Titans, Avengers/Thunderbolts and Empire have in common?

Artist extraordinaire Barry Kitson, that’s what. Barry has pencilled them all. Now, with a DC exclusive contract, the forthcoming JSA: Strange Adventures (previously known as Lord Dynamo) and the recently announced Legion of Super-Heroes relaunch with long-time collaborater Mark Waid, Barry’s in for a busy year!

Nevertheless, he kindly took time out to chat with PaperbackReader about how he got started, latest projects and everything in between…

PaperbackReader: What lead you to comics? Was it something you always wanted to do or was it just supposed to be a pit-stop on the way to something else?

Barry Kitson: No, it was literally all I ever wanted to do from when I was about 6 years old. Somebody showed me some US comics when I was about that age, and basically all I wanted to do from then on was to draw comics. I had a few years in my teens when I wanted to be a rock star, but that didn’t quite work out.

PBR: Your first work was for Marvel UK; how did you manage to land that?

BK: That was just being in the right place at the right time really. I’d been down to Marvel with some samples, and they’d basically said they quite liked them but they wanted me to have something published before they’d give me any work. I said how will I get something published if nobody gives me any work until I’ve got something published? That was just the accepted practice back then I think.

PBR: And it’s more or less the same now, isn’t it?

BK: Yeah, but what they did say was that they’d give me a script to work on just so I could show them what I could do, but they never actually sent me it. When I rang up to find out what was going on, they said the editor I’d seen was no longer there and I’d better come down and see the new guy.

PBR: So you had to go back and do it all again?

BK: Well I went back down and luckily the first time I’d been there it had been someone’s leaving do, and I’d gone along to that and got to know everybody there through the evening, so when I walked in this time everyone was going, “Hello, Barry, nice to see you again,” and the new editor, who hadn’t been there at all, thought ‘Oh well everybody knows him, I’d better give him some work’. He said that they were looking for somebody to draw a Spider-Man strip they were going to do for a few weeks, he gave me a script and asked me to go away, draw a page, and bring it back the next day, so I did. He liked it and gave me the job.

PBR: That was back in the UK’s Spider-Man Weekly?

BK: Yeah, for four weeks they ran a story that originated in the UK by Mike Collins. He wrote all four weeks and drew two. I drew the other two, and Mark Farmer inked all four. After that I basically worked at Marvel for maybe a year or so. I did Transformers, a strip called Space Thieves as a back-up in Captain Britain, basically anything. Really I was just very, very lucky that there was stuff out there so I could learn the trade.

PBR: As you say, it was the right place at the right time. And you worked on 2000A.D. [a British science-fiction based weekly comic] as well, on Grant Morrison’s script?

BK: Well Grant wrote the first script I did for them, which was one of the ‘Future Shocks’, then basically I was working with Alan Grant on Dredd and Judge Anderson after that.

PBR: So a lot of big names before they made it in the US really?

BK: Yes, I mean at the time they were just beginning. I think that that was some of Grant’s first work as well, and Alan and John Wagner were, I think, just about to begin their run on Detective Comics.

PBR: Grant Morrison has a reputation for being very innovative, and to ‘think outside the box’ in his storytelling. Was he like that even back then?

BK: It’s very difficult for me to say, really. I didn’t meet him at all back then.

PBR: So you were just working from the scripts?

BK: Yeah. There was kind of a community of artist and writers in London but that was about it. Most of the rest of the people working in the UK outside London didn’t really bump into each other much in those days.

PBR: Was it long after that you landed your first DC work in the US?

BK: I probably worked on 2000A.D. for about a year. Then – and this was really through Alan – DC were looking for somebody to draw Batgirl and at that time Alan was writing Detective; he suggested my name to Denny O’Neil who was editing the book, and he gave me a call one night and asked me if I’d be interested in doing Batgirl and I said ‘yes’. I got all excited and put the phone down and then realised that I hadn’t actually asked how much they were going to pay me! But that was like a dream come true for me, working for a US comic company was what I’d always wanted to do.

PBR: That was the Batgirl Special, released shortly before The Killing Joke?. Were you aware at the time that it was going to be the last real Batgirl story?

BK: Not specifically. I knew that something was going to happen to the character, and so DC wanted this one-off, but they wouldn’t tell me what it was.

PBR: And after that?

BK: I did a Legion of Super-Heroes annual and a Catwoman strip for Action Comics when it was weekly, then after both of those I was given a choice between doing the Catwoman mini they wanted to do and L.E.G.I.O.N. I’d always been a fan of the Legion and science fiction stuff, so I went that way.

PBR: And you stayed on there for about five years?

BK: I had a six-month break when I went and did some Wolverine issues and some Wildcards stuff over at Marvel, then I came back and did some more L.E.G.I.O.N. I think it was two years, then a break, then another two and a half years.

PBR: On the later run at least, you’re credited as co-plotter as well as pencils. Was that a natural evolution for you?

BK: I guess you could say it was. When Alan decided he was going to move on he suggested that I was capable of writing it myself. I did that for a few issues, but I actually kind of missed the collaborative side of things so I stayed on co-plotting and Mark Waid came on board. That was when we met and we’ve enjoyed working with each other ever since.

PBR: You’ve done a number of projects together since then.

BK: We have. We’ve got a very good working relationship where we give each other a push and shove both ways; he lets me tinker with the story and I show him the work as I do it. If I’m planning a scene and he thinks that I’m not handling it in quite the best way, he’ll give me a call and let me know, ask me if there’s any way that I can do it differently. I really like that; it’s half the fun, really.

PBR: And after your second stint on L.E.G.I.O.N came Adventures of Superman?

BK: That’s right, I went on to Adventures of Superman after L.E.G.I.O.N and I was doing Shadow of the Bat as well.

PBR: Again, with Alan Grant.

BK: Yes, and then Azrael was kind of in the wings to do at some point. I don’t actually quite know why, because it doesn’t really seem to happen like that anymore, but everything seemed to be very planned out and you knew what was going on.

PBR: And you launched the regular series of Azrael, and stayed on that for a while with Denny O’Neil as the writer?

BK: I stayed on Azrael for two years, yes, with Denny writing and with Archie Goodwin as the editor, which was a real pleasure.

PBR: They’re both really legends in the industry. Was it easy to work with them?

BK: Working with Denny was a bit different for me, because Denny doesn’t like to collaborate a great deal with the artist. He likes to just write it, and that’s his part done, so it was a big change from what I was used to. And working for Archie was one of the nicest things that could happen to anybody in the business.

PBR: So you stayed on Azrael for two years; was JLA: Year One next?

BK: Pretty much, but even back then Mark and I were talking about doing Empire. We kind of approached Wildstorm, and they were interested in doing it. DC basically asked us what it would take for us to keep with them rather than going off and doing that, and we proposed ‘JLA: Year One’.

PBR: I guess it was a dream project really, because it’s really all the big DC characters.

BK: Absolutely. It was childhood wish-fulfilment., really, for me. Plus we got to drag in everybody else – Doom Patrol, and all the other characters that I’d always wanted to draw.

PBR: Again, that was very much a collaboration between you and Mark Waid. Wasn’t Brian Augustyn was on that as well?

BK: Yes, he was kind of working more with Mark and then I’d have to deal with the two of them.

PBR: That must have been pretty well received, because it wasn’t long after that that The Brave and the Bold was announced, a mini series chronicling the relationship between Hal Jordan (Green Lantern) and Barry Allen (the Flash).

BK: That’s right. It was kind of a case of “what do you want to do now?”

PBR: They really wanted to keep you two around, didn’t they?

BK: I guess so. DC has always treated me very well.

PBR: I was looking at The Brave and the Bold, and a lot of the way the books were designed is very much a homage to the old silver age comics.

BK: That’s what we were trying to do, really. We were trying to tell the story of Hal and Barry’s friendship, and kind of stylize it to the actual comics that were around in the period they were set, which is why #4, which was a very Neal Adams-ish one-

PBR: – the one with Green Arrow in it?

BK: That’s right. Tom Grindberg drew that and I just inked that one, as he’s got a kind of Neal Adams style that I don’t have.

PBR: And I guess that it was not long after that Gorilla Comics and Empire happened?

BK: Yes, I suppose it was.

PBR: Tell me a bit about Gorilla. How did that come about?

BK: The idea was that a whole bunch of us would get together, and make some comics and have some creative say, and see what we could do – try and do something interesting. The unfortunate side of it was that the business side of things didn’t work out; we went from having backing and funding to ‘you’ve got to pay for the printing of this yourself’ which I certainly couldn’t afford. It was hard. I really admire Kurt [Busiek], Stuart [Immonen], Karl [Kesel] and Tom [Grummet] because they did carry on through, but I’m very much a pragmatist. If we were selling as many as we were selling on Empire and we weren’t making any money it seemed kind of pointless – like you’re in a hole but you keep digging.

PBR: Sure. And it was just two issues of Empire that got released?

BK: Yes, two issues. We were hoping we’d keep going, but you have to wait and see what the economics were. Unfortunately, the economics were such that what would be a good selling book for a major company, with all the discounts they get at the printers’, and would make a profit for a big company just doesn’t make a profit for a small one. And another part of the trouble was because we thought we had funding, we said that we wanted the best paper, we wanted to pay the colorists more than they were getting anywhere else at the time, we were including 24 or 25 pages of story per issue instead of 22…

PBR: And I guess that cuts down on your advertising revenue.

BK: Yes and the way to economise was we put less story pages in, or we didn’t use such good paper, and we just decided that we’d rather wait until we could afford to do it as it was Mark bankrolled the whole operation – for which the rest of us on the book were more than grateful!

PBR: Rather than put out something you’re not entirely happy with?

BK: Absolutely. Luckily at the time DC said they liked the book and were interested in picking it up, so that’s what we went for.

PBR: It took a couple of years for it to come out at DC, though.

BK: The thing was, because of what happened with Gorilla, we’d taken on other work and it became a case of when can we sit down and do this. In a lot of ways, it worked out for the betterment of the book because it gave us a chance to talk through it. We continued to talk about it over the years, and we kept throwing ideas in and the story would keep changing.

PBR: Empire is quite a violent book, and obviously September 11th happened between the Gorilla and DC issues; did that have any effect on the story?

BK: I don’t think it had any conscious effect though I’m sure on a subconscious level 9-11 probably affected everyone’s world view. If anything I think it may have brought what we trying to say about how ugly violence and power seeking is into sharper focus, but we didn’t hold back because of it.

PBR: And you’ve had pretty favourable reviews every where, really.

BK: Yes, it seems to have been very well accepted by everybody.

PBR: And is DC happy with it?

BK: Yes, they seem to be.

PBR: Happy enough to give you a second series?

BK: I certainly hope so! Mark and I have got plans for at least a hundred issues of Empire.

PBR: That’s plotting in advance!

BK: That’s just from talking about it over the years. It’s such a big canvas…

PBR: It is. As a reader, one of the joys of the series is that nobody’s ever safe; anything can happen.

BK: That was part of the point. What we were trying to do with all of it was to play with all of the preconceptions that readers have about superhero comics; that characters won’t die, they’ll always wear the same clothes, that the good guys are the good guys and the bad guys are the bad guys. The idea was to make it fun because people wouldn’t know what was going to happen next, even when they thought they might think they did.

PBR: Stepping back, before Empire ran at DC you were working on the Titans. At the time, I guess the book was kind of dying a critical death to some extent; the storylines weren’t being particularly well received almost from the beginning of that run. When you’re working on a book that isn’t a big hit with fans, does it affect your enthusiasm for your work?

BK: Well, the Titans thing was kind of pear-shaped from the start really. I was asked if I wanted to write and draw it, so the idea was I could kind of try to put it right, but when I actually came on board the editor and writer had patched things up so I came on just as the artist. Then I found out that the writer, Jay Faerber, hadn’t been writing the kind of stories that he really wanted to write; but by then I was on the book, and I was sympathising with him and we both kind of stuck with a book we couldn’t steer the way we had hoped. By the time that Jay decided he’d had enough and Tom Peyer was coming on board, DC had decided the whole thing was going to be re-jigged anyway. It never became the book I really wanted it to become and I never got the chance to do the things I wanted to do. In hindsight, I probably shouldn’t have started on it when I found out that I wasn’t going to be getting the chance to change things as I’d hoped, but also, Andy Helfer the editor was a friend and you don’t like to let anybody down. It wasn’t the happiest time because I like the Titans a lot as characters and I looked forward to drawing it, and never really getting the chance to do with them as I liked wasn’t great. Its just one of those things, I suppose. Hopefully I’ll have learned some lessons from what happened!

PBR: Okay, just bringing it up to date, you signed a three year exclusive with DC early this year?

BK: That’s right. It came about when I was working for Marvel as well, on Avengers/Thunderbolts.

PBR: How many issues of that did you do in the end?

BK: I completed issue one, did the breakdowns for number two and pencilled and inked all the covers. The schedules between the two companies just went kind of haywire; I would never intend to leave a project before I completed it but it just wasn’t physically possible to do it all the work DC and Marvel wanted from me in the time available and something had to give. DC had some long term things they wanted me to do and they made me an offer I couldn’t refuse. I agonized over what to do for a long time, but really there was only one choice to make. I would like to say how understanding the editorial team at Marvel were (Tom Brevoort and Any Smith) which I really appreciated and I really hope I get a chance to make it up to them someday! At least I got to draw one issue. It was the first chance I’d had to work with Kurt [Busiek] since Gorilla, and I got to meet Fabian [Nicieza] as well. It’s a shame but it just couldn’t be avoided. Ironically Tom Grummet, another Gorilla artist, finished it up. I took over Adventures of Superman from him and he’s taken over that from me.

PBR: Swings and roundabouts.

BK: Exactly.

PBR: And what kind of things did DC offer?

BK: Well one of them was the JSA book I’m working on at the moment, Lord Dynamo, which is nearly 200 pages long.

PBR: And what format is that coming out in?

BK: I think six thirty page books.

PBR: And it’s set in World War II?

BK: It is, yes, so it’s kind of like a JLA: Year One thing again for me but this time I get to draw all the original characters.

PBR: Again, a bit of a dream project.

BK: Yeah, it’s great; I’m having a lot of fun. It’s really the first kind of period piece that I’ve done so it’s giving me a chance to use a lot of references and get really stuck into old architecture and engineering and things.

PBR: And are you writing that series?

BK: No, it’s written by Kevin J Anderson. He’s a very well respected science fiction author with several best-sellers to his name

PBR: Okay. What do you have lined up after that? I read an interview with Mark Waid that hinted that there might be something else for the two of you coming up?

BK: Yes, Mark and I will definitely be doing something after that. J

PBR: I know that there are constantly rumours on various message boards about either Legion of Super-Heroes or L.E.G.I.O.N?

BK: …

PBR: I’ll take that as you can neither confirm nor deny those?

BK: I’m aware that there are rumours, but I’m not making any comment on those. The bottom line is, if Mark and I don’t do anything else, we’ll be doing Empire.

PBR: Fair enough. Is there anybody working in the industry that you haven’t worked with that you’d like to?

BK: Oh yes, loads, the list could be almost endless. I’m wary to even begin listing people with fear of forgetting somebody!

PBR: I know that Geoff Johns is doing some great work at DC at the moment.

BK: He is, and I worked with Geoff on the Doctor Fate issue in JSA All-Stars. I think that was basically the reason I got offered the book I’m doing now. Geoff and I had wanted to work together for a long, long time and hopefully we will again in the not to distant future. We both enjoyed the experience J …. I think!

PBR: Okay, good. Moving on to comics generally, what’s your opinion on the state of the industry at the moment? There seems to be a slight rut as far as getting new readers in goes.

BK: I don’t know if that’s actually the case; DC were telling me that their sales were up 13% last year, which is quite a healthy rise. A few people I know that own comic shops have been telling me that it’s actually picking up again. There’s now maybe half a dozen books selling over a hundred thousand, whereas a couple of years ago there was only one. I think it tends to go in almost seven year cycles; there are troughs and peaks. Sometimes the peaks get higher than others. We seem to be on an up-trend at the moment. I think things are a bit more together now; a couple of years ago things did look a bit dire but I think people have kind of rationalised now. To me it seems that more chances are being taken with stories and genres and that there’s a fine depth of talent working in the field.

PBR: And the UK market?

BK: I’m ashamed to say that I’m not really up to date on the UK market at all. I used to get a few things when I was younger, like a magazine that reprinted Tales of Asgard, Jack Kirby stuff, but I’m a die-hard superhero fan through and through. Before 2000AD the British comics I bought were mostly titles like Fantastic and Terrific that reprinted Marvel comics. I did buy Look and Learn for Don Lawrence’s Trigon Empire…though I’m sure my parents thought I was reading all the intellectual bits!

PBR: I see. So you’re not tempted to work on anything a bit Vertigo-esque while you’re at DC?

BK: I’d like to actually. Mike Carey and I have talked about maybe my doing something on Lucifer at some point if we get the chance, because he’s somebody I’d like to work with; whether I’ll ever get the chance to or not I don’t know. I would like to do some other stuff, but I think it would always be like a holiday and I’d always come back to superheroes or sci-fi.

PBR: Sure. What advice can you offer to aspiring artists trying to break in?

BK: Basically, just keep working, keep drawing and try not to just copy from comics. There’s nothing wrong with just doing that but if you don’t draw from life as well, you kind of limit where you can go. You can become a perfect mimic of another comic artist but unless you draw from life as well, you can’t take that style somewhere else. There are loads and loads of people who start by copying another artist but the ones who tend to make it move on from that and develop their own style, and the ones that do, do it by drawing from real life. The other thing is to actually listen to what people tell you when you show them submissions and things.

PBR: And actually take their criticism on board.

BK: Yes. You come across people, and you’ll say ‘Well you need to do this,’ and they’ll argue with you for giving them criticism – if you aren’t prepared to hear some criticism of your work you really shouldn’t be showing it to people! Criticism can only make you better, and help you analyse what you need to do to improve what you’re doing. Another thing is, when you’re starting out take anything; if you’re offered work, don’t ever think you’re above it. It’ll give you a chance to learn your trade. I do feel some sympathy for people who come into comics these days and get promoted straight away as the ‘next big thing’, maybe before they’re ready for it. They often get dismissed before they get a chance to grow and really develop their style because they were forced into the limelight too soon, and that’s a real shame. You’re better just trying to keep improving all the time – there’s nothing more disappointing than seeing that somebody’s stopped trying and you can tell their heart isn’t in it. Learn your trade. And most importantly, do it because you enjoy it.

PBR: Is that most important do you think?

BK: Probably. People sometimes start seeing it as a job and they lose sight of why they enjoy it, and maybe that’s only natural, but when that does happen you just have to take a step back. It’s not a job, it’s a dream come true, at least for me.

PBR: And what’s the working day like for you?

BK: I start work at maybe 7.30 or 8.00am and work through till about 8pm.

PBR: And that’s five days a week?

BK: (Laughs) No, seven! Its not like I work solid, I’ll take breaks, take the dog for a walk, that kind of thing.

PBR: Okay, some quick-fire questions for you; Jay, Barry or Wally?

BK: Hmmm…Barry.

PBR: Alan, Hal or Kyle?

BK: Hal.

PBR: I’m beginning to see a pattern here. Dick, Jason or Tim?

BK: Dick.

PBR: The ones you grew up with, right?

BK: Exactly.

PBR: Birthright or Man of Steel?

BK: Birthright.

PBR: Garfield or Snoopy?

BK: Snoopy.

PBR: Good answer. I think a lot of people say Garfield.

BK: Only the ones that are trying to be cool. Snoopy all the way.

PBR: What’s the last film you saw?

BK: The League of Extraordinary Gentlemen on DVD last weekend.

PBR: Me too. It got a lot of bad reviews, but I kind of liked it. Not great, but it was a good fun film.

BK: Exactly. I think if you get a comic book movie and you go in and you’re too precious and picky, then you’ll be disappointed. If you go in with an open mind and don’t expect a masterpiece, you’ll be okay.

PBR: Okay, favourite film ever?

BK: I don’t think that I really have a favourite film ever, it changes. I’m tempted to say the ‘Thin Man’ movies, but it changes from day to day. I’m really engrossed with 1940’s movies for the JSA project at the moment – so almost any film noir title could have been named for this question! I don’t really believe in ‘all time favorites’ in anything actually!

PBR: What comics are you reading at the moment?

BK: All of Alan Moore’s ABC stuff, Birthright, Lucifer, Hellblazer, Fables, Planetary, Wanted, Arrowsmith, The Ultimates, 100 Bullets – I’d like to work with Brian at some point, particularly as we share a lot of the same taste in music. I tend to put stuff to one side and read it in batches; I just read the last JSA run the other day, including Black Reign, and that was good. If I don’t like something, I’ll just put it down. Aside from the stuff I get comp’d I also get Supreme Power, Fantastic Four, Ultimate FF, MK4 – although I haven’t read that yet – and Hellboy, when it comes out.

PBR: Barry, this has been great!

BK: Thanks, I’ve enjoyed it.

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PCI, or PCI DSS as it is formally known, is a set of security standards voluntarily implemented by a consortium of major credit card processors in an effort to reduce credit card number theft, and to prevent related identity theft.

 

In the face of growing identity theft problems, the card companies formed the PCI Security Standards Council in 2006, and released the first version of the standards in 2007. These standards apply to all businesses and organizations that accept credit cards.

 

The following is a summary of the major points of the standard:

 

Requirement 1:          Install and maintain a firewall configuration to protect cardholder data

Requirement 2:          Do not use vendor-supplied defaults for system passwords and other security parameters

Requirement 3:          Protect stored cardholder data

Requirement 4:          Encrypt transmission of cardholder data across open, public networks

Requirement 5:          Use and regularly update anti-virus software

Requirement 6:          Develop and maintain secure systems and applications

Requirement 7:          Restrict access to cardholder data by business need-to-know

Requirement 8:          Assign a unique ID to each person with computer access

Requirement 9:          Restrict physical access to cardholder data

Requirement 10:        Track and monitor all access to network resources and cardholder data

Requirement 11:        Regularly test security systems and processes

Requirement 12:        Maintain a policy that addresses information security

 

While necessary to help reduce identity theft, implementing these standards can be an expensive and daunting task, particularly for the small business. The penalties for failing to comply are equally as scary, including loss of the ability to accept credit cards, and large fines imposed by the major card processors.

 

Compliance is not easy for anyone, but there are tips and shortcuts which can help ease the pain for small businesses. My recommendations include:

 

1. Don’t store any credit card numbers at your facility in any form (electronic or paper) beyond the transaction unless required. By not storing credit card numbers in your facility, you ate subject to a somewhat simpler form of the standard.
2. Install a firewall.  A firewall is relatively cheap protection, and is the most fundamental requirement of PCI. It is explicated mandated under Requirement 1, and necessary for meeting some of the other requirements. Look for a professional firewall such as Sonicwall, rather than a consumer model. 
3. Look for a security policy template on the Internet, and customize it for your use. You can usually find an inexpensive consultant to help you with the customization to save time.
4. Make certain you have active anti-virus licenses on all systems, and verify that they are set to obtain updates automatically. I recommend sticking with one of the major anti-virus companies such as McAfee, because their size usually allows them to respond to new outbreaks more rapidly. Also, some firewalls enforce anti-virus checks, and filter viruses themselves.  Using such a firewall adds an extra layer of protection. 
5. Use a third-party vendor to do a quick evaluation of your PCI compliance status. Do this before you schedule your penetration test as mandated under Requirement 11. 
6. Implement an employee security training program to make sure that your employees help you to continue to be in compliance. Such training is also helpful in protecting your business from other security issues. 

PCI is a bit intimidating for small businesses and organizations, but compliance can be achieved, and it can be done economically. 

 

For a more complete summary of the PCI requirements, you can view my 12 minute video PCI Primer.  Also, visit my resource page for links to important PCI-related sites.

 

© 2009 eNable Business Solutions, all rights reserved

Robert C. Covington is a telecom and network security veteran, with over 20 years of experience supporting the telecom and network needs of businesses, from SOHO offices with a single employee, to large call centers. He was an early adopter of VOIP, first using it to support remote workers 1998. He also implemented his first firewall shortly after the technology was commercially available. He is currently the Founder and President of eNable Business Solutions (http://www.enablebusol.com), a company focused on providing end-to-end technology support for small businesses and organizations. His article, “Bringing Your Phone System Into the 21st Century”, was recently published in REV Magazine, Article Source: http://EzineArticles.com/?expert=Robert_Covington

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The popularity of Christian retail exploded with one simple acronym: WWJD? Since then, contemporary Christians have been employing increasingly diverse methods to deliver their life-changing message. One such method comes in the most everyday of forms – a T-shirt. In one quick glance, a T-shirt bearing a Christian message attracts attention and spreads the message that God is Good.

Family Christian Stores relates that Christian retail is a $4.3 billion industry. More and more consumers with Christian attitudes are buying clothes that match their convictions. To support this growing trend, Christian clothing lines are emerging to suit urban to designer tastes.

Just walking down the street becomes a more significant act if you are wearing a Christian T-shirt. People who wear apparel bearing Christian messages in effect become walking billboards for Christ. Because the clothes can take any number of styles and designs, Christian-themed apparel can cut across boundaries of culture and age. The bold images and messages of such clothing identifies the wearer as a believer, and can deliver a Christian message to others who may not otherwise stop to consider its meaning. Attention spans and time are limited, and Christian T-shirts are a succinct way to get a meaningful message across.

This contemporary way to deliver a message makes Christian T-shirts not only a statement of faith, but also a fashion statement. Apparel that is specifically Christian is becoming increasingly trendy and thought provoking. Does the message the wearer bears suffer by becoming a mere trend? Time has yet to tell. Until then, Christian apparel can serve as a powerful teaching tool that allows the wearer to witness to others in a non-confrontational way.

God is Good, LLC (http://godisgoodllc.com) is a fun and stylish product line that was formed as a platform to spread the belief that God is good. Twenty percent of all sales go to charitable organizations. Rachel Spohn is a freelance writer. Article Source: http://EzineArticles.com/?expert=Rachel_Spohn

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